Halo 5: Guardians’ executive producer explains Master Chief’s arrival on Xbox One

Halo 4 was the end of the Master Chief and Cortana love story. But the iconic hero supersoldier is coming back in Halo 5: Guardians for his first appearance on the Xbox One.

The game debuts on October 27, and it represents Microsoft’s best chance to capitalize on the community of 60 million Halo fans and create a competitive advantage for its Xbox One game console in competition with Sony’s PlayStation 4. This time, there’s a new conflict between Master Chief and one of his own, agent Locke, who is a kind of rival Spartan.

[aditude-amp id="flyingcarpet" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

The title is also a big chance for Microsoft’s 343 Industries (the studio created to handle the Halo franchise after original creator Bungie spun out to create another first-person shooter, Destiny) to show what it can do with huge investment of time and money. We played all parts of Halo 5 — a preview of the single-player campaign, the esports-like Arena, and the massive Warzone multiplayer mode — and then talked to one of the guardians of the Halo franchise, Josh Holmes, the executive producer for the game.

Holmes talked to us about how 343 is servicing the longtime fans of Halo and how it has honed the story, multiplayer, and cooperative play in the upcoming game. Will the new title be worthy of the Halo name? In the background, we were listening to cheers as multiplayer combat rounds became more intense. Here’s an edited transcript of our interview.

And here’s our interview with Xbox chief Phil Spencer and our preview of Halo 5.

GamesBeat: I got to play two of the missions here. I don’t quite grasp entirely what the story is getting at. If you’re setting this up without really spoiling it for anybody, what sort of preamble do you tell?

Josh Holmes: The story takes place after the events of Halo 4. At this point we have a series of cataclysmic events threatening colonies across the galaxy, mysterious events. The UNSC is trying to figure out what’s going on. Early in the story Master Chief goes AWOL for uncertain reasons. This leads the UNSC to deploy a new squad of Spartans to find out why Chief and Blue Team have left the ranks, and what connection – if any – that has to these events.

That’s the setup. It’s told like a mystery, deliberately. The player, as Locke, is following in Chief’s footsteps and trying to unravel why he’s doing what he’s doing and where everything will lead.

GamesBeat: This is why Master Chief and Locke seem to be at odds? They’re not on the same mission.

Holmes: They’re very different characters. That’s intentional. Designing Locke and writing the new character, we wanted him to feel distinct from Chief. We wanted him to be a person who would ask Chief the kind of questions we want him to ask over the course of this mission.

[aditude-amp id="medium1" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

GamesBeat: As far as airtime goes, is it largely about those two? When I think back on Halo 4, a lot of time was spent focused on Chief and Cortana.

Holmes: This is an interesting departure from Halo 4 in that it’s an ensemble cast. In Halo 4 we were very focused on those two characters and this intimate relationship they had against a backdrop of action and high-stakes drama. In this game, we still have Chief at the center of it all, but he’s now surrounded by a team of Spartans. We have a second team of four that are tracking him. Finding the time to explore all those characters and give each of them a chance to establish themselves was an interesting creative challenge.

GamesBeat: How did Nightfall set up some of this?

Holmes: Nightfall introduces Spartan Locke. At the time, Locke was still an agent of the Office of Naval Intelligence. It’s his background before he became a Spartan. It shows viewers the man he was and who he is at his core before he joined the Spartan program.

[aditude-amp id="medium2" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

As a new Spartan in Halo 5, he’s been put at the helm of Fireteam Osiris. They’re a brand new squad, which is very different from Chief and Blue Team, who have known each other since childhood. They’ve fought together and trust each other. They know what each other member of the team is going to do without even thinking about it. They operate on instinct. Locke and Osiris are still finding their groove together, learning about one another and figuring out their places. Locke is still learning what it means to be a leader. That’s all fertile ground for the story.

GamesBeat: Playing Blue Team really seems to change the campaign. All of a sudden, the Hunters don’t seem so invulnerable anymore.

Holmes: Introducing three more Spartans requires us to rethink the way we build our encounters and design our characters. In the case of the Hunters, they have new behaviors and new attacks they can do in reaction to the way players can surround them. Before, you could trick a Hunter and get behind them and lay waste to them. Now they have the ability to rapidly turn and smash you. It’s more challenging to take on those mini-boss characters like the Hunters and the Knights than you’d think.

GamesBeat: You’ve shown more levels and modes from multiplayer. What do you have that’s going to surprise returning players?

[aditude-amp id="medium3" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

Holmes: We’ve gone big with this game in multiplayer. We’ve built two distinct experiences within the multiplayer suite. Arena is purpose-built for competitive play. It celebrates everything at the core of Halo multiplayer. We have even starts, a level playing field, a variety of game modes that cater to that taste. It’s built from the ground up for eSports, but it’s there for players of all skill levels.

On the Warzone side, we’ve tried to bring all the best parts of Halo into one colossal mode. It’s multiplayer at a scale that’s never been done before in Halo – the size of the maps, the number of players, dozens of AI integrated into the mode. You have AI bosses coming in. The scoring system is very different. You have all these choices as a player. Do I want to try and support my team by taking down bosses? Do I want to go capture bases and score that way, maybe even get a shot at taking out the core in the enemy home base? Or do I just want to contribute by shooting opposing players and whittling them down? There are all these different ways you can contribute in that mode. It never plays the same way twice.

GamesBeat: How do you explain the requisition system since that’s brand new to everyone? What should players strategize around?

Holmes: Requisition is a reward system, basically. It supports all of our multiplayer experiences. You earn req packs by playing in Warzone or Arena. There are cosmetic items that carry across both experiences.

[aditude-amp id="medium4" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

For Warzone specifically, all the weapons and vehicles and power-ups and gameplay-impacting things you can unlock within the req system are limited to Warzone. New players, I hope, will have a great sense of discovery as they open packs and find cool stuff and deploy these cool weapons in Warzone. But there is a lot of strategy there as far as what you deploy, when you deploy it, and how you expend your req energy within each Warzone match. You have this governing system that prevents you from going willy-nilly with any part in your inventory.

GamesBeat: One of the worst things you can do is go in and lose your vehicle to the opposing team.

Holmes: I did that earlier today. I got myself an awesome rocket ‘Hog, took it over to the enemy base, and promptly got sniped. It was disappointing.

GamesBeat: I found that if I got a Warthog, I couldn’t count on someone getting in the back to shoot people. I was just driving around.

[aditude-amp id="medium5" targeting='{"env":"staging","page_type":"article","post_id":1805856,"post_type":"feature","post_chan":"none","tags":null,"ai":false,"category":"none","all_categories":"business,games,","session":"A"}']

Holmes: I should have let you guys know ahead of time, but we added a new mechanic in the game where you can rapidly switch from the driver’s seat to the gun by pressing jump. You’ll swing out of the driver’s seat, get on the gun, and start shooting. But it takes a half-second or so. That’s what I was doing when they sniped me.

GamesBeat: It seems necessary. Otherwise, it’s risky to get in the Warthog and just make yourself a target. Beyond that, do you want to save up for a big item toward the end, something that can tip the balance of power?

Holmes: What I usually do—I love vehicles. I’m a big vehicle player. I save up all my req energy for later in the game to bring out something big like a Banshee or Wraith or Scorpion. But plenty of players in the studio focus on power weapons instead. They might bring out several smaller, lower-tier weapons and rack up kills throughout the game. It comes down to how each player likes to play the game.

GamesBeat: Coordination seems to matter a lot.

Holmes: It makes a huge difference. We do play tests at the studio that we call our “try hard” tests. Both teams are pushing really hard to win, playing very competitively. The team that wins, invariably, is the one with the best communication and collaboration.

Coordinating between 12 players is really tough. But you can coordinate well between three or four players at a time. That’s more reflective of what I believe we’ll see when the game goes live. Three or four friends will get together and say, “Let’s take out this boss” or “Let’s push on that base.”

GamesBeat: Going back to single-player, I saw that you could take a lot of different paths to get through each level.

Holmes: Absolutely. That’s been one of the design pillars for campaign from the beginning, trying to give players more freedom and flexibility in how they approach the combat encounters and how they navigate the space. All the spaces throughout our campaign have been built around the new suite of Spartan abilities, all the new mobility options. There are plenty of places you can discover and clamber up to or smash through. That adds a lot of replay value. Even for players who only play the campaign once, too, it lets us all have our own story in how we approach each encounter. We can all share those stories with each other, which I think is really powerful.

GamesBeat: Some of the more complex new abilities can be easier to forget. Do you have ways of introducing them so people learn them and use them throughout the campaign?

Holmes: We have tutorial moments early in the campaign at specific points where we teach the new abilities. From there, it’s up to players whether they want to keep using them and which ones they take advantage of. The hope is that knowledge then transfers over to multiplayer and people can put the abilities to use in that space.

GamesBeat: If you invest the time to learn those and get good at them, is that going to separate you from players who don’t?

Holmes: In multiplayer it makes a big difference, mastering the different abilities. They’re designed to work with all of our maps. They can chain together to produce some pretty spectacular results. Just simple things like the thruster ability—I was just playing Quinn. I had him dead to rights, but he managed to jump up and thrust over my head and take me out. You can do some things once you start to master those skills that really set you apart.

GamesBeat: That seems to [speak] to why Halo 5 is different. You have at least four major iterations here. People could get tired of it. But there are lots of new things for them to master here. It’s not going to be the same old multiplayer.

Holmes: We definitely have new skills to master. We’ve tried to stay true to the core of what Halo is as an experience, tried to continue to expand the universe and the story. It’s still very much Halo. It’s just evolved. Players have a whole new suite of abilities that they can learn and put to good use.

GamesBeat: What sort of feeling do you hope people will get when they’re done with the campaign?

Holmes: I hope they’ll be surprised. I hope they enjoy the journey we take them on. It’s a different approach to storytelling in Halo, but we’re excited about it. We think it’s fitting for Halo as we move to Xbox One, to make this big leap in the way we tell stories and let people experience the universe. I hope they come away pleasantly surprised.

GamesBeat: Day one is always a nail-biter for the people who run servers and things like that. Is there anything in the design that you thought about and said, “With tens of millions of people playing this, maybe we shouldn’t take the risk of doing this right away?” Just to ensure that the game scales well.

Holmes: Scale is something we think about all the time. We have an in-house services team that’s been focused on Halo 5 for the past three years, building the services at the core of the experience. It’s the same team that built the services for Halo 4. They’re constantly testing for scale and ensuring that all of our services are hardened and ready for the users coming in when we launch.

We’ve also been able to employ – beyond just the beta we did almost a year ago – testing resources around the world, doing closed external beta testing. We’ve put those services under stress and ensured they can stand up to real-world conditions. We’re confident going into launch. But obviously it’s always a big deal launching a game of this size and scale. For us as developers, the joy comes from seeing people have fun with this thing we’ve been working on for years and being able to go online and play alongside them.

GamesBeat: Did anything change in your design, though? Are there situations where you don’t want to push a particular idea as far as you could because it won’t work with 10 million people playing at once?

Holmes: We always take that into account in the design process, the technical requirements and scale requirements that go into the experience. We’ve been lucky to partner closely with the platform team, the Xbox team, in building this experience. Being able to take advantage of things like Xbox Live cloud compute—It’s been a real shift for us technologically as we rewrite our engine for Xbox One and move our online experience to dedicated servers and take advantage of cloud compute. That’s taken a lot of investment from us and a lot of work in concert with the Xbox team. But yeah, our designs have all been built with an understanding of what’s possible.

GamesBeat: What are some instances where you can use cloud compute?

Holmes: Warzone is a great example. We have dozens of AI active on the map – simulating, making decisions, reacting to players. AI bosses are coming to the map. We have large environments and large player counts and lots of vehicles. We can do that all at once because we can use cloud compute to simulate things like physics and AI, augmenting the power of the console itself.

GamesBeat: Do you feel like you’ve pushed the console to the edge of its capability yet?

Holmes: I wouldn’t say that. As developers, we’re constantly learning on any platform. We’re still early in the cycle for Xbox One. This is only the first title we’ve built from the ground up for Xbox One. We’re pushing the console pretty hard, but I’m sure that as we continue to develop for the console, we’ll learn more. That’s the way with every console generation.