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Dead Island: Riptide is a zombie game still searching for brains (review)
Publisher Deep Silver is back to take you on another zombie-infested tropical getaway. But does Dead Island: Riptide breathe new life into its genre, or is it just a walking corpse?
Zombies are everywhere these days, making it harder and harder to actually use them in a new way. Publisher Deep Silver launched Dead Island in 2011, and the title tried to make its mark by combining first-person-shooter and role-playing elements. But the experience had a few too many issues to really revolutionize its genre. Now, original developer Techland is back with Dead Island: Riptide (available on April 23 for PC, PlayStation 3, and Xbox 360), and while the studio claims the game is more of a spin-off than a true sequel, it still carries on the same plot and hopes to correct some of the first release’s missteps. Unfortunately, some of those missteps are the fault of using the undead as an enemy in the first place, which means Riptide has to prove itself not only as an improvement in the Dead Island franchise but also as a worthy entry into an already overcrowded gaming space.
So is Dead Island: Riptide a survivor, or should you avoid it like a corpse-reanimating plague?
What You’ll Like
It’s the complete zombie experience Zombie-related media tends to feature a handful of tried-and-true story beats related to living through the apocalypse. A small group of survivors will almost always encounter other survivors. They’ll go scavenging for supplies. Maybe they’ll get in a vehicle and run over a few creatures. And then, they’ll have to fortify some type of area in order to hold off waves of the living dead. If that’s something you want to sample for yourself, then Riptide certainly comes through. It’s a first-person-shooter-meets-role-playing hybrid that is all about foraging for equipment. Most of Riptide’s 13 chapters end with you and your band of survivors — who include other player-controlled characters — defending a small space from a hundred or so infected islanders while you wait for a water pump to clear out an underground tunnel or whatever.
Riptide even takes special care to include the different types of undead that have appeared in pop culture over the years. Do you like 28 Days Later-esque screaming runners or director George Romero’s shambling animated corpses from Night of the Living Dead? Both are in the game, and these enemies are known as Infected and Walkers, respectively. You even fight a few Left 4 Dead-style fancy monsters that spit at you or tackle you with super strength. This was all mostly present for the original Dead Island as well, but Riptide understands that it doesn’t need to change something that the first entry got completely right.
Plus, you can experience the whole game in co-op, either with friends or via level-based matchmaking that pairs you with people at a similar point in the campaign, which is always a plus.
Melee combat is consistently satisfying As you can expect from a title called Dead Island: Riptide, you spend most of your time killing zombies. You cut off heads. You smash heads. You shoot off heads. It’s all cheery, family friendly stuff, but the point is that almost all of it is a blast. The combat doesn’t have much depth beyond improving weapons and choosing when to deploy your super attacks (character-specific moves powered by a “rage meter” that fills up as you get more kills), but it never feels too limited or boring. That’s the great strength of using a horde of zombies as the antagonists: Smashing them to death is a lot of fun. Of course, part of that fun comes from learning the benefits of the different weapon types and seeing which fit with your play style the best. Blunt objects, like baseball bats or hammers, have stopping power that will make it easier for you to get hostiles to the ground (where you can get in an insta-killing head stomp) while blade weapons can slice off limbs and are easier to retrieve after you throw them. Speaking of throwing weapons, they are easily the most fun part of the combat. It’s completely badass to throw an electrified samurai sword at a giant zombie, then charge at the beast with a meat tenderizer covered in nails, then rip the sword out and hack the monster to death. That is easily one of my favorite ways to kill a video game enemy ever.
The game’s firearms are considerably less fun to use, which is a shame since they become more and more common as you progress through the story. The gun mechanics are passable, but they aren’t powerful enough to justify how scarce ammo is. Thankfully, Riptide barely forces you to use guns, so it’s not a big issue. You can always go back to your ironic firefighter’s axe that sets things on fire.
Take in the beautiful sites of Dead Island!
The Dead Islanders try to escape from a boat.
This science dome is one of the many exotic locations you’ll visit.
Take a dip in one of Dead Island’s many relaxing rivers.
Looks like the Dead Islanders are still trying to get off that boat.
The Dead Islanders know that the only good zombie is a blown up zombie.
Zombies interrupt an otherwise relaxing trip.
You can actually see some nice things on Dead Island … but the zombies are probably just off camera.
What You Won’t Like
It’s derivative of far too many things The biggest problem with Dead Island: Riptide from a creative standpoint is that barely any of it feels original. Some of this is endemic to the zombie genre as a whole, but that’s not so bad (considering I put it in the “What You’ll Like” section up there). When you start to break down Riptide into its individual components, however, you’ll notice that almost all of it feels like something you’ve seen in any number of recent games. The setting — at least the early jungle section — is straight out of Far Cry 3. The role-playing inspired combat and player progression are just like the ones found in Borderlands. And searching through every open container for rubber hoses and nails felt very reminiscent of BioShock, even if those hoses and nails serve more of a purpose in Riptide.
This is all in addition to the fact that Riptide prominently features one of the most overused enemies in modern pop culture. A reason that these undead brain-eaters are so popular is that they’re perfect for even the least clever of metaphors. I read the original Dead Island’s resort setting, for example, as a critique on consumerism or attitudes behind tourism, but Riptide doesn’t feel the need to say anything like that. While the combat is consistently fun, the enemies you’re killing are just as consistently uninteresting. It all seems like a waste of an opportunity to do something smart with its antagonists. Riptide stands on the backs of all of these popular games that came before it, but it doesn’t use that platform to do anything that feels new.
Can you go fetch something for me? When the zombie apocalypse hit and the dead started to walk around and eat people, who could’ve predicted that the worst part of this crisis would be everyone’s complete inability to do anything for themselves? At least that’s the case in Dead Island: Riptide. People asking you to do things is pretty common in, well, every video game, but you spend far too much time in Riptide fetching canned food or electronic components for individuals. The main quest usually tasks you with investigating or clearing out areas to make them safe for you and your fellow survivors. The side missions, however, are almost all related to you doing something that another person refuses to do. A late side quest actually involves a man asking you to go to his house to find his wife, then going to her parents’ house to see if she’s there, and then walking all the way back to your camp to tell him that you couldn’t find her. Fetch quests are a lazy way to give players something to do, and even if sending one guy out to find something is sort of thematically appropriate in a zombie title, it’s still not a particularly fun or interesting use of a player’s time.
It’s missing a layer (or two) of polish Riptide certainly looks pretty, but it’s not enough to cover up some rough edges. Anecdotally, I hit a glitch early on that cut out all audio until I rebooted my system. Also, my Xbox completely crashed in the middle of a big fight near the end. Those are just hiccups, and they’re excusable. What’s not, though, are things that are simply poorly designed, like the respawn system. When you die in Dead Island: Riptide (and if you’re like me, it’ll happen a lot), you start back somewhere near where you went down, but several times throughout the campaign, the game decided to respawn me in a location I hadn’t been to or knew how to get out of. That meant I had to fight my way back to where I had died just to figure out where I was trying to go.
Unfortunately, too many things in Riptide just feel poorly designed. For example, you can’t look behind you while driving a car in reverse or look anywhere but left and right while climbing a ladder. The game is missing that extra bit of attention that would’ve cleared up issues like this. These problems aren’t terrible or game breaking, but when everything adds up, Riptide looks sloppy. This is a shame because it really is quite nice to look at.
Conclusion
Bashing in rotting skulls has probably never been more satisfying than it is in Dead Island: Riptide, especially when you do it with friends. But the rest of the game simply doesn’t hold up. You spend too much time running arbitrary errands for other people and wrestling with some of the release’s rougher edges. That brings the overall quality of the experience down, but it doesn’t make killing the living dead any less fun. In the end, though, while Dead Island: Riptide serves the zombie genre well, it doesn’t do anything new with it. You’ve killed a million enemies like this before, and the only real differences this time around are aesthetic. The developers at Techland are adamant that Riptide is more of a spin-off than a true sequel, so maybe next time they’ll find some brains for this undead series.
Score: 65/100
Dead Island: Riptide releases on April 23 for the PlayStation 3, Xbox 360, and PC. The publisher provided GamesBeat with a copy of the 360 version for the purposes of this review.
