Remember in 2010 when publisher 2K Games announced its contribution to the traditionally strategy-focused XCOM franchise? And that it was a first-person shooter? And then everyone lost their minds because that was one of the most baffling genre shifts possible?
The Bureau: XCOM Declassified is not that game.
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And it’s basically what the franchise needed.
What you’ll like
The setting
1962 was a simpler time: A stamp cost four cents, Bob Dylan released his first album, and upright government men wore three-piece suits to gunfights.
The Cold War was also in full swing, and this political climate lends itself well to stories about alien invasions (see also: every alien-invasion movie from the ’50s), especially when some of those sneaky buggers can disguise themselves as humans and walk around undetected. You know, just like Commies did all the time.
The Bureau works in this undercurrent of paranoia and distrust through memos from XCOM director Myron Faulke, which include questions to determine whether the fellow next to you is a human or an insidious spy. The tests include asking the respondent to recite the Pledge of Allegiance — taking particular care to note if he stumbles or scoffs at the phrase “Under God” — and asking what sound a dog makes. You know, questions only a true, red-blooded American human being would answer correctly. Coupled with elements like XCOM’s “big board,” which illustrates the spread of Outsider influence with tiny red bulbs, these convey the era in subtle, effective, and just plain cool ways.
The Battle Focus ability
Battle Focus is the workhorse of The Bureau’s combat. While engaged with the enemy, you press a button to pull up a radial menu that looks an awful lot like the one you use to issue commands to your squadmates in developer BioWare’s space-opera Mass Effect series. And you use this menu to issue commands to your squadmates, like telling them where to move, which enemies to target, and which special abilities to use.
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Unlike Mass Effect, however, activating Battle Focus does not pause the action; it just slows it down. So while you’re trying to decide where to move your guys and what they should do once they get there, the enemy keeps doing what it was doing, just not as quickly.
You can also stack commands, so if you want a guy to move into a flanking position and then target a specific enemy, you can do so. Commands execute in the order in which you set them, so it’s possible to line up a ridiculous series of events and then watch them play out. Sticking this tactical element into the middle of a third-person shooter is great for mixing up the pacing. You can occasionally (and barely) succeed with a run-and-gun approach, but most situations require you to slow down and think for a minute, leading to a syncopated play rhythm that is consistently exciting.
Above: Healing occurs by way of soothing aerosol.
The choices
XCOM as a series tries to constantly provide players with interesting decisions to make. In Enemy Unknown, do you do a mission in China that will get you more scientists to develop gear for your team? Or do you opt for the one in the U.S. that will get you more money? Neither choice is necessarily right; it all depends on your style and priorities as a player and how you weigh the negative outcomes of the choices you don’t make against one another. Declassified keeps this tradition going by cramming as many options as possible into every aspect of it.
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Take character creation. You have four classes to choose from, each with their own strengths and abilities. Once you pick a class, you choose one of several backgrounds for your new recruit. The different backgrounds give the new guy bonuses in different areas, like additional health or a shorter cool-down time on his abilities. Later on, you’ll select his equipment from weapons he’s trained to use and over a dozen backpacks, each of which bestows a unique ability on the wearer.
Once you’ve had your guy out in the field for a while and he’s leveled up, it’s time to pick his abilities. Each squadmate can gain four levels, and he gains a new power at each. Some levels unlock a single upgrade, but some make you choose between two similar ones. More superficially, you can also choose your character’s appearance, clothing colors, and name. At every step, you’re designing your personal customized squad that will look and fight exactly as you want it to. They granularity of creation makes you feel like you trained these guys yourself, and it makes you feel like you really own your squad. And that’s great, but it leads to some potential heartbreak later on.
Declassified also presents choices as the story goes on. Some of these are straight-up “You can only save one character” moral quandaries, but at one point, you also decide whether to evacuate a man infected with an incurable alien disease or let him blow himself up to make the next fight easier for you. I went with the former, and I felt this choice throughout the rest of my playthrough. The decision wasn’t over as soon as I made it; it continued on and affected other things later on. And that’s basically how a developer does moral choices correctly.
Above: Sneaking up on a group of enemies without them seeing you grants you some extra time to plan your first attack.
The tension
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Declassified’s predecessor, the proper strategy entry Enemy Unknown, had “chessboard tension” — its “Oh, no” moments came from looking down at your squad’s positions and realizing that you’d made a huge tactical mistake three rounds ago, and you don’t know how to fix it. The Bureau’s tension is more direct; its sticky points come from frantically trying to issue the correct orders to your buddies while waves of enemy troops slowly close in on you.
But the relentless march of creeping death isn’t the only source of nail-biting and/or pants-dampening. The Bureau also includes two features that promise to hold you accountable for everything you do: autosave and permadeath, which you can’t turn off. The former is nothing new nowadays; many games save as you go to streamline the experience. But when you add to that the idea that a character you have spent most of your time with, cultivating and carefully selecting his abilities for maximum effectiveness and in concert with the rest of the squad, can just die and be gone forever, and then it will save itself just to make sure he stays dead? That’s called incentive not to mess up.
Permadeath is nothing new in games, of course; The Bureau essentially defaults to Enemy Unknown’s “Ironman Mode,” which prohibits multiple save files and autosaves after every turn. But The Bureau starts on that mode, and it isn’t even a mode; it’s just the way it is. And that’s kind of amazing.
Above: Giant glowing alien seed orbs are why we can’t have nice things.
The solidarity
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During a massive firefight in the final level of The Bureau, Jimthro Gunniman fell down. This had happened several times before; we’d been fighting together since the second mission when I recruited him and gave him that stupid name. But this time, I didn’t make it over to revive him before he bled out.
Jimthro Gunniman was no more.
The “DEAD” text appeared in his section of my heads-up display, and I had to pause the game for a minute to deal with it. He was gone forever. Crap.
I was playing on a lower difficulty, so The Bureau prompted me to bring in someone to replace my fallen friend. I picked someone with the exact same skill set and brought him in. He was functionally identical to Jimthro Gunniman in every way.
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But he wasn’t Jimthro. He stank of New Guy. I didn’t give him as many orders at first because I didn’t think he’d proven himself yet. But he was, for all intents and purposes, exactly the same guy.
This is what permadeath does; it attaches you to your characters and makes you want to take care of them. And The Bureau handles this as well as I’ve ever seen it. Every close call, every mad dash to select my “Heal” ability, and every time I moved a seasoned veteran out of danger drew its power directly from my connection to my A.I. teammates. I could always replace them, sure. But I didn’t want to.
What you won’t like
The glitches
Depending on your attitude toward minor gameplay glitches, this could be a good or bad thing. But The Bureau is occasionally a very buggy game. Sometimes they’re jarring, like when the end of one character’s line of dialogue does not quite inform the beginning of the next character’s reply. Sometimes they’re confusing, like when everyone was talking about a guy I chose to save as if he were dead. And occasionally, they’re downright confounding, like when I spoke to a doctor, left the room, came back, and the doctor had the armory officer’s head on his body. He still sounded like the doctor, but he looked like the guy from the armory, and I have no idea why that would ever happen.
This confused me so much that I took a picture of my television screen.
Above: THAT’S NOT HIS HEAD.
The vagueness
Declassified isn’t always completely clear about what it wants you to do or what it’s doing in the background while you’re playing. Between main story levels, you can send agents off on “dispatch missions” so they can level up and gather more supplies. They’ll come back more powerful, and you can give them new abilities without having to constantly rotate the members of your go-to squad of three.
The problem is this: Unlike the real-time countdowns that similar modes in games like Assassin’s Creed: Brotherhood use, The Bureau doesn’t tell you how long the missions will take, so you have no idea when you’re going to have those guys back. Sometimes they came back after a minor side mission, and sometimes they were gone until I’d finished the next part of the plot. All I knew was that at some point, I would return to base and they would be there waiting for me to teach them how to throw turrets or something, but I had no idea when that might be. It would be nice to know when I’d have my Level 4 Engineer and his trusty mines back, but Declassified seemed to consider that information above my pay grade.
The One Save to rule them all
I know I just got done talking about how awesome the permadeath and autosaving were, but do you know when a manual save really comes in handy? When it’s 1:30 a.m. and you want to stop playing instead of pushing through to the next checkpoint. Or if you’re interested in how the consequences of your choices work out without having to play through the whole thing again. What if your game freezes in the middle of a lengthy side mission? It never happened to me, but I saw enough glitches that I was often worried it would happen. And if it did, I’d have to go through all that dialogue again.
Theoretical technical issues are not valid criticisms, but they do detract from one’s enjoyment. The lack of a manual save also means that you’re almost always playing at The Bureau’s pace instead of your own, and sometimes people just have stuff to do.
The plot’s sharp left turn
I’m avoiding spoilers here, but at one point, The Bureau becomes less a story about pomade-slicked G-men shooting aliens in the dome and more of a bizarre cosmic daytrip. In the final act, the plot takes such a weird turn that when I finished watching a particular cinematic and found myself back in the game, I had to remind myself what I was playing.
This twist doesn’t ruin the story, and it does fit in somewhat with the series’ larger mythology, but I wasn’t sure if the developers were trying to make a BioShock-style comment on the nature of video games or if they’d just programmed one of their fever dreams into the code.
Conclusion
The Bureau is Enemy Unknown’s hyperactive younger sibling who delivers something different while still fitting in well with its predecessors. A lot of people were worried when we saw that first-person shooter at E3 2010, but the developers have taken the core idea of “try something else” and come up with a fun, interesting game that still fits in with its slower, more strategic relatives.
Score: 80/100
The Bureau: XCOM Declassified is out Aug. 20 for PlayStation 3, Xbox 360, and PC. 2K provided GamesBeat with an Xbox 360 retail copy for this review.